FINE ART & OBJECTS OF VERTU
от Hermitage Fine Art
8.7.20
Le Park Palace Avenue de la Costa 98000, Monaco, Монако

Extra information

1. All lots marked with the symbol are under temporary importation are subject to import tax (5.5%) (EU).

Russian art Lots: 18, 22, 149, 154, 155, 156, 157, 158, 159, 160, 162, 163, 165, 166, 166, 168, 169, 170, 171, 173, 174, 175, 178, 179, 181, 184, 186, 189, 190, 192, 193, 195, 196, 198, 202, 203, 236

Fine art Lots: 506, 509, 524, 525, 553, 554

Manuscripts Lot: 795

For details see General terms and conditions:

6. TEMPORARY IMPORTATION

6.1. Any Lot marked with a symbol “plus (+)” are “free port” and are subject to import tax.

The Buyer intending to import the aforesaid Lot into the European Union should be aware that an import tax will be due on the Hammer Price.

This import tax shall be paid to Hermitage Fine Art in addition to other fees

(e.g.: 5.5% for antiques and works of art in Monaco).

6.2. Any other Lots are in free circulation within the European Union.

6.3. The Buyer shall be responsible for checking and fulfilling all the conditions for the transportation of the Lots to their destination, including, but not limited to, checking the import status of the Lots, and the regulations for importation at destination.

2. The following lots are subject to Artist's Resale Right (an additional 3% will be added to hammer price)

(Authors of original works of art are entitled to a royalty each time one of their works is resold through an art market professional)

Russian art Lots: 36, 45, 115

Fine Art lots: 534, 536, 553, 555, 615, 617, 618

Manuscripts Lots: 813, 816


Далее
Аукцион закончен

ЛОТ 559:

Richard Estes (1932) Urban Landscape III, 1981 5 screenprints, Urban Lanscape III, Hospital Corporation of America ...

Продан за: €5 000
Стартовая цена:
6 000
Эстимейт :
6000€-6000€
Комиссия аукционного дома: 27%
НДС: 20% Только на комиссию
Пользователи из других стран могут быть освобождены от налоговых платежей согласно соответствующим налоговым нормам.
Аукцион проходил 8.7.20 в Hermitage Fine Art

Richard Estes (1932) Urban Landscape III, 1981 5 screenprints, Urban Lanscape III, Hospital Corporation of America, 1981
Urban Landscape III, 1981 - N219
Hospital Corporation of America
Screenprint in colors, signed in pencil, numbered, framed
Edition 250
35.4 x 55 cm

Urban Landscape III, 1981 -N215
Hospital Corporation of America
Screenprint in colors, 1981, signed in pencil, numbered 77/250, framed
Edition 250
35.4 x 55 cm

Urban Landscape III, 1981 - N214
Hospital Corporation of America
Screenprint in colors, 1981, signed in pencil, numbered 77/250, framed
Edition 250
35.4 x 55 cm

Urban Landscape III, - N216
Hospital Corporation of America
Screenprint in colors, 1981, signed in pencil, numbered 77/250, framed
Edition 250
35.4 x 55 cm

Urban Landscape III, - N213
Hospital Corporation of America
Screenprint in colors, 1981, signed in pencil, numbered 77/250, framed
Edition 250
35.4 x 55 cm

Provenance: Guy Heytens Gallery, Monaco

Born in Kewanee Illinois in 1932, Richard Estes is famous as one of the founders of the international photorealist movement of the 1960s. He studied at the well-known Art Institute of Chicago, and then worked as a graphic designer in New York City. Influenced by his work in advertising, he began painting his detailed images from photographs, before becoming a full-time artist in 1966.

Many of his early paintings focused on the lives of city-dwellers, before his attention shifted more exclusively to urban cityscapes and architecture. Before art school, Estes had wanted to study architecture, an interest that clearly asserts itself in his work from the late 1960s onwards, with his focus on the details of not just the nature of the buildings in his paintings, but also the reflective glass and steel structures of the city. His Urban Landscapes series exemplifies his interest in the modern city, and his interest in printmaking. He perfected his labour-intensive screenprinting techniques in 1971, painting his templates in gouache and acrylic before photographing them. The photographic template is then used to create stencils for the screenprinting process, which can be time consuming due to the large number of colours and tones employed by the artist.

Over the years he has exhibited extensively around the world, and Estes’ work can be found in the collections of many major museums, including the Museum of Modern Art and the Solomon R. Guggenheim Museum in New York, the Hirshhorn Museum in Washington, the Tate Gallery in London, and the Neue Galerie der Stadt Aachen, Ludwig Collection in Aachen Germany.