The present catalogue includes an extensive chapter dedicated to Bezalel artists, including illustrated books, various objects, drawing and paintings. This chapter features numerous original sketches for works by Ze'ev Raban - Raban's sketchbook (lot 318), sketches for illustrations to the Song of Songs (lot 320), sketches of the signs of the Zodiac (lot 327), a large collection of photographs of works by Raban and Meir Gur Aryeh (lot 344), and many other unique items from the estate of Shlomo Kedmi, who succeeded Raban and Gur Aryeh in the Industrial Art Studio.
The chapter dedicated to Hebrew children's books features charming works by prominent writers and illustrators: stories by Benzion Raskin illustrated by Uriel Kahana, Chaim Hanft and Haim Goldberg; poems by Itzhak Katzenelson illustrated by Gertrud Caspari; rhymes by Ya'akov David Kamson illustrated by Else Wenz-Viëtor; children's book published by "Omanut", with color lithograph illustrations by "Chavurat Tsayarim" (Apter, Mutzelmacher, Kravtsov and Higer); pop-up books illustrated by David Gilboa; and other rare books.
The avant-garde chapter features Yiiddish, Hebrew and Russian books, with illustrations and cover-designs by important Russian avant-garde artists such as El Lissitzky, Joseph Chaikov, Issachar Ber Ryback, Mark Epstein and Nathan Altman.
The catalogue further features a variety of choice items representing the history of Palestine and Zionism, bibliophile works, letters, travelogues and maps of Palestine, photographs, postcards, rare Ladino periodicals, works by Safed-based artist Yosef Zvi Geiger, bibliophile works, a chapter dedicated to numismatics, and many more items.
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LOTE 249:
"The Miller, His Wife and Their Millstones" – Yiddish Edition – Illustrations by El Lissitzky – Warsaw, 1922
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Vendido por: $1 700
Precio inicial:
$
1 000
Comisión de la casa de subasta: 25%
IVA: 17%
IVA sólo en comisión
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"The Miller, His Wife and Their Millstones" – Yiddish Edition – Illustrations by El Lissitzky – Warsaw, 1922
Der Milner, di Milnerin un di Milshtayner ["The Miller, His Wife and Their Millstones"], by Feter Ben Zion ["uncle Benzion"; pen name of Benzion Raskin]. Illustrations by El (Eliezer) Lissitzky. From the series "far kleine kinder". Warsaw: Kultur Lige. 1922. Yiddish.
Children's tale, illustrated by El Lissitzky. First published in 1919 by "Yiddisher Folks-Farlag" in Kiev.
14, [2] pp., 22.5 cm. Minor stains to pages. Rebound. Staple holes to margins (from the original staples). Stains, blemishes and tears (some open) to boards. The binding has been restored. Strips of tape between endpapers and boards.
El (Eliezer Lazar Markovich) Lissitzky (1890-1941), a Jewish-Russian artist, designer, photographer, teacher, typographer and architect, a prominent and important member of Russian avant-garde.
Lissitzky, an architect by training, contributed much, together with his teacher and friend Kazimir Malevich, to the conceptualization and development of the Supremacist movement – the abstract art focused on geometric forms. He also designed numerous books and journals, exhibitions, and propaganda posters for the communist regime in Russia and influenced the Bauhaus and Constructivist movements in Europe. In his early days, Lissitzky showed much interest in Jewish culture and many of his works integrated Jewish motifs (during the years 1915-1916, he took part in the ethnographic expedition headed by Shlomo An-ski to the Pale of Settlement). Wanting to promote Jewish culture in Russia after the revolution, he became engaged in designing and illustrating Yiddish children's books, creating several children's books which are considered pioneering masterpieces due to their graphics and typography. However, several years later, he abandoned the Jewish motifs in favor of developing a more abstract and universal artistic language.
In 1921, Lissitzky moved to Germany, where he served as the Russian cultural ambassador, engaged in forming connections between Russian and German artists and continued to design books and journals. Lissitzky, who perceived books as immortal artifacts, "monuments of the future" by his definition, used the medium as a tool for spreading the messages of avant-garde and his artistic perception, as indicated by the variety of books in whose design, production or illustration he took part – from children's books and poetry books and to catalogs, guidebooks and academic publications.
Lissitzky died in Moscow at the age of 51. In his final years, his artistic work was dedicated mainly to soviet propaganda; yet it seems that the same worldview accompanied his works throughout his life – the belief in goal-oriented creation (Zielbewußte Schaffen, the German term he coined) and the power of art to influence and bring about change.
