Auktionsbedingungen
Auszug aus der Geschäftsordnung, Stand April 2022
Die Auktionen werden nach der Geschäftsordnung der Widder Auktionen der Kunsthandel Widder GmbH durchgeführt. Diese liegt mit genauem Wortlaut im Auktionshaus auf und kann auf www.widderauktionen.com abgerufen werden.
Schätzpreise, Ausrufpreis, Mindestverkaufspreis, Limit, Zuschlag
Bei Objektbeschreibungen wird ein oberer und unterer Schätzpreis in Euro angegeben. Innerhalb dieser Spanne wird das Meistbot erwartet. Online ist auch der Ausrufpreis angeführt. Der Ausrufpreis ist in der Regel der untere Schätzpreis, er kann jedoch höher oder niedriger angesetzt werden. Gesteigert wird um ca. 10%, wobei davon abgewichen werden kann. Das Meistbot erhält den Zuschlag, sofern der Mindestverkaufspreis erreicht wurde. Bestimmt der Verkäufer/die Verkäuferin das Objekt nicht unter einem festgesetzten Preis zu verkaufen, spricht man von Mindestverkaufspreis oder Limit. Wenn dieses nicht erreicht wird, gilt ein Zuschlag unter Vorbehalt. Meistbietende sind verpflichtet innerhalb von 7 Tagen nach Rechnungslegung den Kaufpreis zu zahlen.
Kaufpreis
Der Kaufpreis besteht aus Meistbot zuzüglich des Aufgeldes, der Umsatzsteuer sowie gegebenenfalls der Folgerechtsabgabe. Das Aufgeld beträgt 28% bei Differenzbesteuerung. Die Umsatzsteuer ist bei der Differenzbesteuerung inkludiert.
Bei Normalbesteuerung (im Katalog mit ° gekennzeichnet) kommt auf das Meistbot ein Aufgeld in der Höhe von 24% hinzu. Auf die Summe von Meistbot und Aufgeld kommt bei Gemälden, Aquarellen, Zeichnungen sowie Skulpturen die gesetzliche Umsatzsteuer von 13%, für alle anderen Objekte 20% hinzu.
Folgerecht
Mit * gekennzeichnete Objekte unterliegen dem Folgerecht. Dieses wird in Form eines Zuschlags auf das Meistbot verrechnet. Es gilt erst ab einem Meistbot über 2.499,99 € und ist gestaffelt: für die ersten 50.000 € werden 4% verrechnet. Danach je weiterer 150.000 € 3% bzw. 1% und ab 500.000 € 0,25%. Die maximale Folgerechtsabgabe beträgt 12.500 €.
Echtheitsgarantie
Das Auktionshaus steht gegenüber dem Käufer/der Käuferin innerhalb von zwei Jahren für die Echtheit des Objekts ein und garantiert, dass das Objekt tatsächlich von dem genannten Künstler/der genannten Künstlerin stammt.
Katalogangaben und Beschreibung
Angaben von Technik, Signatur, Material, Zustand, Provenienz, etc. erfolgen durch ExpertInnen des Auktionshauses. Es wird jedoch keine Gewähr für die Richtigkeit dieser Angaben geleistet.
Die Beschreibungen der Objekte bedeuten: Vor- und Zuname des Künstlers/der Künstlerin mit Lebensdaten: ein sicheres Werk des Künstlers/der Künstlerin. „signiert“ oder „monogrammiert“: ein eindeutig zuordenbares Werk des Künstlers/der Künstlerin. „Zugeschrieben“: ein wahrscheinliches, aber nicht zwangsläufig authentisches Werk des Künstlers/der Künstlerin. „Umkreis“: ein im Einflussbereich des Künstlers/der Künstlerin entstandenes Werk. „Bezeichnet“: ein wahrscheinliches, aber nicht von der Hand des Künstlers/der Künstlerin signiertes Werk. „Werkstatt“: ein im unmittelbaren Umfeld des Künstlers/der Künstlerin entstandenes Werk. „Schule“: ein in zeitlicher und stilistischer Nähe zum Künstler/zur Künstlerin entstandenes Werk. „Nachfolge“: ein in der Nachfolge entstandenes, stilistisch verwandtes Werk des Künstlers/der Künstlerin.
Kaufaufträge
Interessenten können Kaufaufträge schriftlich und online abgeben oder telefonisch mitbieten. Ein ausgefülltes und unterfertigtes Gebotsformular muss zeitgerecht vor der Auktion eingehen. Das Auktionshaus bietet für schriftliche Gebote bis zum angegebenen Meistbot mit.
Telefonische Gebote
Interessenten haben die Möglichkeit telefonisch mitzubieten. Das Auktionshaus bemüht sich die angegebene Rufnummer zu erreichen. Kommt keine Telefonverbindung zu Stande, kann das Auktionshaus für die Interessenten bis zum unteren Schätzpreis des Objektes bieten. Das Auktionshaus ist in diesem Fall aber nicht verpflichtet, das Gebot auszuführen.
Online Bidding, Live Bidding
Bieter/Bieterinnen können auf www.widderauktionen.com sowie auf externen Auktionsplattformen Vorgebote abgeben und live mitbieten.
Versicherung
Kunstobjekte sind bis zum Ende der Abholfrist, in der Höhe des Meistbots, gegen Verlust und Beschädigung versichert. Danach ist das Kunstobjekt nur bis maximal 6 Monate nach Rechnungslegung versichert, wenn kein Zahlungsverzug besteht.
Gerichtsstand, Rechtswahl
Gerichtsstand und Erfüllungsort für alle Rechtsverhältnisse ist 1010 Wien. Es gilt österreichisches materielles Recht.
TERMS OF AUCTION
Extract from the Rules of Procedure, as of April 2022
The auctions are conducted in accordance with the Rules of Procedure of the Widder Auctions of Kunsthandel Widder GmbH. The exact wording of these rules is available at the auction house and can be downloaded from www.widderauktionen.com.
Estimated prices, starting price, minimum sale price, limit, hammer price
In object descriptions, an upper and lower estimated price is stated in euros. The highest bid is expected within this range. The starting price is also stated online. As a rule, the starting price is the lower estimated price, but it
can be set higher or lower. The auctioneer increases the price by steps of approx. 10%, although it is possible to deviate from this. The highest bid wins, provided that the minimum selling price has been reached. If the seller decides not to sell the object below a fixed price, this is called the minimum sale price or limit. If this is not reached, the sale is considered conditional. Highest bidders are obliged to pay the purchase price within 7 days after invoicing.
Purchase price
The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.
In the case of normal taxation (marked ° in the catalog), a premium of 24% is added to the highest bid. For paintings, watercolors, drawings and sculptures, the statutory sales tax of 13% is added to the sum of the highest bid and the buyer's premium, for all other objects 20%.
Resale Right
Items marked * are subject to the resale right. This will be charged in the form of a surcharge on the highest bid. It only applies to highest bids over € 2,499.99 and is staggered: for the first € 50,000 4% will be charged. Thereafter, for each additional €150,000, 3% and 1% respectively, and for €500,000 and above, 0.25%. The maximum resale right charge is 12,500 €.
Authenticity guarantee
The auction house vouches for the authenticity of the object to the buyer within two years and guarantees that the object is indeed by the named artist.
Catalog information and description
Details of technique, signature, material, condition, provenance, etc. are provided by experts of the auction house. However, no guarantee is given for the correctness of this information.
The descriptions of the objects mean: first and last name of the artist with life data: an authentic work of the artist. "Signed" or "monogrammed": a clearly attributable work by the artist. "Attributed": a probably, but not necessarily authentic, work by the artist. "Circle": a work created within the artist's sphere of influence. "Inscribed": a probably authentic work, but not signed by the artist's hand. "Workshop": a work created in the artist's immediate environment. "School": a work created in temporal and stylistic proximity to the artist. "Succession": a stylistically related work created in the artist's succession.
Purchase orders
Interested parties may submit purchase orders in writing and online or bid by telephone. A completed and signed bid form must be received in a timely manner prior to the auction. The auction house will bid for written bids up to the stated highest bid.
Telephone Bids
Interested parties have the possibility to bid by telephone. The auction house will make every effort to reach the telephone number provided. If no telephone connection can be established, the auction house can bid for the interested parties up to the lower estimated price of the object. In this case, the auction house is not obliged to execute the bid.
Online Bidding, Live Bidding
Bidders can place pre-bids and bid live on www.widderauktionen.com as well as on external auction platforms.
Insurance
Objects of art are insured against loss and damage until the end of the collection period, up to the amount of the highest bid. Thereafter, the art object is insured only up to a maximum of 6 months after invoicing, if there is no delay in payment.
Place of jurisdiction, choice of law
Place of jurisdiction and place of performance for all legal relationships is 1010 Vienna. Austrian substantive law shall apply.
|
LOTE 105:
FRANZ VON ZÜLOW* (Vienna 1883 - 1963 Vienna)
|
|
|
Vendido por: €1 400
Preço inicial:
€
1 000
Preço estimado :
€1 500 - €2 500
Comissão da leiloeira: 24%
Mais detalhes
IVA: 20%
Sobre o preço e comissão do lote inteiro
Utilizadores de países estrangeiros podem estar isentos de pagamento de impostos, de acordo com as respectivas leis de imposto
|
FRANZ VON ZÜLOW* (Vienna 1883 - 1963 Vienna)
FRANZ VON ZÜLOW*
(Vienna 1883 - 1963 Vienna)
Surgery Room, 1922
indian ink and pastel/paper, 19,6 x 30 cm
signed F v. Zülow and dated 1922
Provenance: private property Vienna
ESTIMATE °€ 1.500 - 2.500
Austrian painter and graphic artist of the 20th century. Representative of the Classical Modernism. Studied at the Vienna School of Applied Arts from 1903 to 1906 under Felician Myrbach and Carl Otto Czeschka. Explored graphic techniques, developed his own paper-cutting stencil technique in 1907. Participates in the 1908 art show organized by Gustav Klimt and Josef Hoffmann. Commissioned by Josef Hofmann to design wallpaper for a children's room in the Palais Stoclet. From 1909 in Haugsdorf, where his mother and sister lived. 1915 to 1919 military service, became an Italian prisoner of war. 1920 to 1922 teacher at the Schleiß ceramic workshops in Gmunden. From 1922 he commuted between Vienna and Upper Austria. Arts and crafts works and illustrations for the Wiener Werkstätte, among others. From the 1920s also oil paintings, especially landscapes. Belonged to the Zinkenbach painters' colony in the interwar period, like Ferdinand Kitt, Josef Dobrowsky, Ernst Huber, Ludwig Heinrich Jungnickel, Oskar Laske, Georg Merkel, Louise Merkel-Romee and Georg Ehrlich. 1942 Prohibited from painting. 1945 Member of the Vienna Secession and the Linz Artists' Association MAERZ. From 1949 teacher at the School of Arts and Crafts in Linz and from 1955 president of the Mühlviertler Künstlergilde. Influenced by the decorative and flat ornamental art of Jugendstil and folk art. Created mainly children's books, posters, calendar graphics, murals, wallpaper, carpets, fabrics. But also prints, watercolors, drawing and oil paintings with landscapes, rural and religious motifs, fairy-tale and fantastic scenes. Comes from a series of depictions of military hospitals from the possession of Dr. Dietrich Moldauer.
Franz Zülow attended the Graphic Teaching and Research Institute in 1901 and 1902 and also enrolled briefly at the Academy of Fine Arts before studying at the Vienna School of Applied Arts from 1903 to 1906. From an early age, Zülow experimented intensively with graphic techniques and in 1907 developed, among other things, the paper cutting stencil technique, which he also patented. From 1908 on, he was a member of the Klimt Group. In 1909 he moved to Haugsdorf, where his mother and sister lived. In 1912, a scholarship enabled him to undertake an extensive study trip through Western Europe. From 1915 to 1919 he did military service and was taken prisoner by the Italians. Between 1920 and 1922 he worked as a teacher at the Schleiss ceramic workshops in Gmunden. From 1922 he lived alternately in Vienna and Upper Austria and undertook several trips abroad. His decorative arts and illustrative works, which were often created for the Wiener Werkstätte, were characterized by the decorative verve of the Secession. From the 1920s he created the first oil paintings, which, like his paste-the-wall paintings and watercolors, mainly show landscapes. In the years between 1928 and 1935 he was awarded the Austrian State Prize several times, and in 1942 he was forbidden to paint by the Nazi regime. From 1933 to 1939 and from 1945 on, he belonged to the Vienna Secession and was also a member of the Linz Artists' Association Maerz. From 1949 he taught at the School of Applied Arts in Linz and from 1955 he was President of the Mühlviertler Artists' Guild. During this period he received numerous public commissions for murals and mosaics. Based on photos from 1915, Franz Zülow drew and painted these snapshots from the infirmary at Vienna's Ostbahnhof in 1922. Both Zülow's drawings and the photographic templates come from the estate of the head of the station, Dr. Dietrich Moldauer. The historical photo material to which Zülow refers in his drawings can also be found in an elaborately made brochure with the title: "Sick station with night's rest at the Ostbahnhof in Vienna of the Patriotic Aid Association of the Red Cross for Lower Austria. Report on activities from the beginning of the war to September 1915". This station in the k.u.k. The premises of the Vienna Ostbahnhof made available to the State Railway Administration were opened shortly after the outbreak of the First World War, on August 20, 1914. It had the purpose of "providing accommodation, meals and medical assistance to sick, wounded and convalescent officers and crew members passing through Vienna as a transit station". Its director, the art-loving Dr. Dietrich Moldauer, k.u.k. Lieutenant a. D., first delegate of the Red Cross Patriotic Aid Association in Lower Austria. To date, however, it is unclear how this order came about and what the intentions of the client, Dr. Moldovans associated with it. Franz Zülow knows only too well the horrors of the First World War from his own painful experience, after all he fought as a soldier between 1915 and 1918 in Hungary, Albania and Italy, where he was taken prisoner of war by the Italians on July 12, 1918 and only released from there on August 22, 1918. August 1919 can return. Zülow chooses the templates for his drawings from photos by Charles Skolik, which are also shown in the brochure mentioned above.
